“Imagining Florida” Explores State’s History and Mythology at Boca Museum
Of all the artists selected for inclusion in the Boca Raton Museum of Art’s sprawling “Imagining Florida” exhibition, it is photographer Joseph Janney Steinmetz—not...
Lacquered Sculptures Shine, Stun at Morikami
It’s one thing to gaze at a photograph of Aoki Chie’s “Body 09-1—Impact,” which I’ve been doing for months for preview stories about the...
Cornell Art Museum Looks With Wonder, Concern at the “Tech Effect”
The images in photographer Antoine Geiger’s “Sur-Fake” series are all too familiar. In one, a group of teenagers are positioned around a cushioned seating...
Arts Warehouse’s “Dwelling” Explores the Two Americas
Luis Garcia Nerey’s installation “Dwelling,” on display now at Arts Warehouse, is comprised of two squat houses divided by a fence. The home on...
“Remember to React” Surveys 60 Years of NSU Art Museum
The NSU Art Museum has rolled out the red carpet for its new show, but not in the traditional sense.
Far from being a footbath...
Art, Social Media Square Off in Arts Warehouse’s Best Show Yet
(Lead image, "Look Up," by Reed Dixon)
With a wit as droll as it is accurate, artist Toby Gotesman Schneier named one of her paintings...
Arts Warehouse Embarks on Surreal Southwestern Trip
The Arts Warehouse’s newest exhibition, “Desert Triangle Print Carpeta,” features prints from artists living in three Americans cities—Tucson, El Paso and Albuquerque—all of which...
Child’s Play: Artist-Parents Blend Work and Home in “Dual Roles”
Not since its exuberant exhibitions of Nathan Sawaya’s LEGO sculptures has Hollywood’s Art and Culture Center looked so decked out for pint-sized patrons. One...
Tibetan Monks Bring Art, Culture to Coral Springs Museum
By their nature, art museums are places of escape and reflection from the everyday bustle and grind. That sense of meditative calm is magnified...
Boca Museum Showcases Photographer’s Unflinching Honesty
When writing about the work of Lisette Model, fellow-photographer Berenice Abbott noted that Model’s subjects were “direct targets of an artist’s vision.” The imperative...
